Mailart from Katerina Nikoltsou (Greece)
On a brown background white shapes move circularly, they might be traces of paint, or based cup profiles; not completed in their movement, coming out from the edges of the mailart. Three strips of paper give the impression of a vertical and a horizontal movement, transparent, readable in descending order from right to left, if we observe the edge cut diagonally, coinciding with the next fragment; in the empty spaces, where we expect the continuation of the paper strip, orange circles with ink glyphs lean with the silhouettes on the circular tracks below, creating a relationship between the upper layer and the lower layers of the mailart. The general movement of the surface, therefore, relates to the deepest layers of the background.
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